Saturday morning I presented a paper at the annual Canadian Society for Biblical Studies. In the paper, I addressed some issues of poetic syntax. Why am I studying poetry? I’m not really that poetic or creative or literarily sensitive. (I will confess that much of what passes for poetry mystifies me, but then I’d probably have rebuked E.E. Cummings and told him to take a course in punctuation.)
Why I’m studying poetry is simply that this is the road some recent linguistics research led me down. I wouldn’t be on this road otherwise. Regardless, I’m interested in getting feedback on my notions. To that end, my paper is posted below.
In a small nutshell, I’m attempting to reduce the syntactic options that an ancient Hebrew poetic faced when concluding a poetic line. My argument is that it can be described as a binary choice, between apposition and non-apposition, rather than the six tropes that Michael O’Connor described in his magisterial Hebrew Verse Structure. I see all uses of language through a grammatical lens. My first question when I encounter some conventional use of language is always, “How does that work syntactically?” I take the position that no matter the convention (of prose, poetry, epistolary, etc.), they are always bound by grammar.
So, let me know if I’ve convinced you, even in part.